This is a great article.
Performance drives cinema, that much has always been clear. Since the silent era days of Charlie Chaplain, Douglas Fairbanks, and Greta Garbo, our responses to the subject matter present within any given film have varied depending on the skill of the actor within. Throughout film history characters have fallen into three categories: that of the Hero, that of the Villain, and (increasingly so in this modern era) that of the Human.
No one grouping is superior to another; as that is a case-by-case subject dependent on the actor in the role, bringing to mind the saying, “(He/She) stole the show!” Yet if performance drives cinema, (as it is entertainment, though some films are more “artistic” than others) then only by a cohesive working of the writing, cinematography, and all other facets of filmmaking do you witness something noteworthy.
Heroes, unmovable and incorruptible, face adversity with an inner strength many of us…
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